Saturday, 4 August 2012

Well it's been far tooo long since I last updated this blog, thankfully the hiatus has been (in part) a productive one :)

About two months ago I received a call from fellow artist and CAD chairperson Lainy Allison asking if I would like to participate in a group exhibition along with a handful of other talented local artists from around Fife. This was due to run throughout August at the very respectable Craigton House (on the Hopetoun Estate, Edinburgh) and be advertised as both a Fringe and Fife Open Studios event. After all of about six seconds deliberation, I jumped at the chance! Had I not known she'd need it later on to paint with, and we'd been speaking in the same room....there's every chance I'd have chewed her arm off!     

Anyway.... this gave me the perfect opportunity to finish off some half-painted canvases from last year and put together a new body of work also comprising of a couple of new designs. With the deadline set (late July), next step, what to paint.....

Not easy when your new best mate's a full-on creative-block, who's been lounging on the sofa for months, hobbit-feet resting on the arm rest with Jedi-style control over the caps to your favourite tubes of acrylic! ....After a wee bit of frustration, a few wee conversations with close friends and family and then the self-acknowledgement that this was a wee opportunity too good not to be part of...I rose to the challenge and mentally biatch-slapppped the 'funk' off of the sofa and got to work :)

Now I've always enjoyed playing with words and 'creative' writing and the idea of creating small, poetic descriptions to accompany some of my paintings is a challenge I've wanted to attempt for quite a while. However we all know that just because you enjoy doing something does n't mean it's necessarily any good and this has led to many mental tugs-of-war, the main concern being that I prefer to let the work speak for itself and was hesistant to force-feed the viewer my ideas. Art being a topic that's completely subjective means that no two people are likely see your painting from the same perspective, which is fug-uckling GREAT because (if your lucky enough to get feedback)it usually leads to some really interesting conversations...so why would I want to tell someone how they're supposed to interpret my visual musing?

In the end I decided to steer clear of what I seem to be doing right now (tho there's something really cathartic about this process haha) and just try to simplistically sum up my thoughts and feelings inspired by the paintings themselves to try and add to the atmosphere I attempted to create. An insight the viewer could take or leave.

Just to finish, I've really enjoyed putting this small collection together and it will be the first of many new paintings to come...REINSPIRED! Thanks to the offer and help from Lainy Allison and also Angela Parish things got wrapped up in time and on time. For anyone interested in seeing a country house full of a whole range of varing styles and differing techniques by an excellent group made up of Lainy Allison, Angela Parish, Wesley Edmund, Tom Bishop de Main, Emma Pauley and more, the work is on show until the opening weekend of September this year.



Your Addiction

I'm your addiction,
sharp enough to sever
your reality with my love.
Deep inside,
your shattered pride
knows that you cannot
get enough!

Acrylic on board
13.5'' x 24''



Embrace the Beauty of Today

We steal hearts when we dance,
the night's our playground, you're the game.
In clever lies,
forever lies a lust for life that can't be tamed.
Striking poses as the camera captures,
every moment's another chance to
seize the day....
no hope, no fear, forget tomorrow,
embrace the beauty of today.

Mixed media on board
24'' x 48''



The Lovers

Hands caress,
bare flesh on flesh.
Mouths connect,
exchange of breath.
Sounds expressed,
now time to rest.
Only night knows when
I'll see you next.

Mixed media on board
24'' x 48''



Dancing Havana Streets

The sidewalk's,
our dancefloor.
These Latin beats
breed dancing streets,
throughout Havana
until manana.

Acrylic on board
16'' x 24''



Striving Forward

I'll never let them hold me back,
with words
or through the way they act.
Proceed to believe.

Acrylic on board
16'' x 24''



Salsa Noche

Intertwining figures cut through dusk dancing til dawn.
The energy and rush is triggered
by patterns of the heart and spirit.
Thrusting hips swing quick in-sync
with bustling beats on tapping feet.

Arylic on board
24'' x 36''



Love your smile

I look at you and see my world
and picture all that we could build.
Just need to help you understand,
I'd give you all I have to hand.
Although you may not like my style,
I can't help but love your smile.

Mixed media on canvas
14'' x 36''



That red dress

Mixed media on board
14'' x 36''















Thursday, 21 July 2011

New portrait: E. F. Schumacher


Acrylic on board finished with two coats of satin varnish. This portrait was done for my good friend Sol Stephens of Durable Media, an excellent digital media company based in the heart of Bristol.

Wednesday, 6 July 2011

Caricature based on Keira Knightley, acrylic on board 16'' x 24''


Thought I'd try painting a caricature rather than sketching on paper + colouring digitally...


Tuesday, 5 July 2011

SKILL, ENERGY, POWER AND PASSION SPORTS PAINTINGS...

Here are all four of the paintings commissioned by the Picture Of Health Club+Spa to celebrate their 21st anniversary. Fantastic project taken on for a fantastic place!







SNOWBOARDER: ONE OF FOUR NEW ACRYLIC PAINTINGS

Below is one of four sports orientated paintings just completed for the Picture Of Health Club+Spa, all of which I shall be posting shortly. A brilliant and challenging project (each painting was 36'' by 36'') with a tight turn around (twelve days) that I was delighted to be involved in. I like to take photos at various stages of a project to chart progress, learn from mistakes and enjoy the journey taken to reach the final outcome-which does not always resemble the initial designs! Below are seven stages it took to complete my favourite of the four.

First of all, after wiping down the canvas, painting four coats of gesso (lightly sanding each one before applying the next) and dividing the canvas up into thirds, I sketched the cartoon in pencil. Once I was happy with the proportions and composition I mixed some cobalt blue artist's acrylic with Winsor+Newton flow improver (great for retaining colour when working large areas) and started to drop in the background.


I wanted sharp contours so I repainted the snowboarder's arm white and then masked it off using masking tape. Pale colours tend to recede while dark and vibrant colours advance, so using various mixtures of cobalt blue, ultramarine and black I worked my way up the picture surface adding depth to the sky by using darker shades the the closer I got to the top taking care to make sure the brush strokes were as even as possible.



I then turned my attention to the mid-tones around the snowboarder and in the foreground. These were tints mixed using cobalt blue, ultramarine, cadmium red and white. Here I tried to concentrate on breaking up the white surface with shapes intended to draw the viewer's eye back to the focal point, the snowboarder.



After placing a shadow beneath the snowboard and spattering white and light purple paint to try and create the effect of powdered snow being carved up I started to block in the base tones of the snowboarder before working up to the highlights and down to the shadows, mainly working dark on light. The final addition was the emerald green pattern on the snowboard, done and dusted! Below is the finished painting..